The other day, Wayne told me a story that was both hilarious and sad, underlining the cultural disconnect between North and South in Canada. We were discussing traditional Dene artwork, and he pulled out a moosehide jacket made for him by Elsie, one of the local elders. Warm and sturdy, it still carried the faintest scent of woodsmoke. I admired the intricate beadwork pattern on the chest, swirls of blue and green curving into the shape of flowers. What in the South might be derided as camp or kitchy is a regular adornment of traditional clothing up here. In a land that spends three-quarters of the year shrouded by winter, what could be a better expression of vitality than the petals of a flower?
Incredibly, the coat was made entirely by hand. No sewing machines, no artificial fabrics, no metal needles. The bead pattern was done directly through the thick moosehide, rather than the easier method of using a felt base (a common shortcut in commercial beadwork). In a traditional craftstore, a coat like that would sell for more than $2000.
Wayne told me how he wore it on a trip to Nova Scotia, not long after it had been made. As he went shopping, the fresh-smoked hide gave off such a powerful smell that people would look around, scratching their heads and wondering what was burning. One store actually phoned 911, and Wayne turned around to see firefighters marching in and evacuating everyone.
On the way back North, he had to fly via Toronto. He tried to bring his jacket on the Air Canada flight, but the hostess took one sniff and said he couldn't wear it in the cabin. It would have to be put in a garbage bag and tossed in the cargo hold. Needless to say, this was a very precious piece of clothing and he was reluctant to let it out of his sight. He asked if there was any insurance if it got damaged or stolen, but the hostess just looked him up and down and said, "Oh, don't worry. Nobody in Toronto would want to wear that."
Such a comment, rude at the best of times, is made even more awful by the complete ignorance in which it was made. I think the saddest thing about the slow death of Dene culture is that most people in the South don't even know what we're losing. Certainly I had no idea, and now I fear it may be too late to stop the slide.